The number 1 tip I can offer to help you in your art projects:
Don't try to solve 2 problems at once.
You're creating something and notice that it's too busy, the lines are boring, and the composition could be better. Don't work on all 3 issues at the same time. Fix the composition, then adjust the business, then improve the lines.
Fix something, then move on to the next thing. Then, do it again. Then, again until you run out of time or things to fix.
Thursday, May 30, 2013
Wednesday, May 29, 2013
Are You Afraid to be Critiqued?
You need more critique, not less.
If you're not out there, you're not making a dent.
If you're not out there, you're not making a dent.
Thursday, May 23, 2013
The Real Secret of Drawing
I've been on vacation this week, which is always glorious simply because I do exactly what I want. No responsibilities and no worries.
I didn't touch a pencil for 5 days.
When I picked it back up yesterday I was reminded of one of the greatest drawing lessons you can learn.
To draw well you have to think well.
Your mental approach to drawing is more important than the way you move the pencil. Good art is mainly a series of good decisions. How do you set up the compositions? Where do you put the shadows? How do you most effectively depict a scene or action?
Beyond that, intelligently naming your problems is the key to solving them. Too busy? Awkward posing? Flat drawing?
If your drawings are suffering, begin to explicitly name the problems and apply your best logic to every artistic decision. Begin to make sound artistic choices.
And now, back to the beach.
I didn't touch a pencil for 5 days.
When I picked it back up yesterday I was reminded of one of the greatest drawing lessons you can learn.
To draw well you have to think well.
Your mental approach to drawing is more important than the way you move the pencil. Good art is mainly a series of good decisions. How do you set up the compositions? Where do you put the shadows? How do you most effectively depict a scene or action?
Beyond that, intelligently naming your problems is the key to solving them. Too busy? Awkward posing? Flat drawing?
If your drawings are suffering, begin to explicitly name the problems and apply your best logic to every artistic decision. Begin to make sound artistic choices.
And now, back to the beach.
Sunday, May 12, 2013
I'll Tell You What's Stupid
I just want to know that there are people out there who can relate to this.
I drew a picture yesterday and hated it.
I woke up this morning and like it.
sigh
At least I like it now! Better than the alternative.
I drew a picture yesterday and hated it.
I woke up this morning and like it.
sigh
At least I like it now! Better than the alternative.
Saturday, May 11, 2013
A Tip for Improving as an Artist
One of the best pieces of advice I ever heard...
If you're not getting the results you want, do something different.
How often do we forget that?
If you're not getting the results you want, do something different.
How often do we forget that?
Friday, May 10, 2013
Choosing Lines
Wave after wave of drawing inspired frustration combined with some Paul Pope, Ashley Wood, and Jamie Hewlett has taught me that I don't really understand what lines look good in a drawing.
Time to reset my instincts.
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